The Little Mermaid
Performed in Miami, Florida, this production of The Little Mermaid was the first performance of a newly re-written Broadway script, and took place in an immersive setting. I had the pleasure of stepping in as the replacement Ariel after a month of playing Arista and understudying Ariel.
Visit https://www.areastage.org/mermaid for more information!
Year
2024
Directed by
Giancarlo Rodaz
Photography by Giancarlo Rodaz
The Resistible Rise of Arturo Ui
Brecht’s timely play was a privilege to be in at my university just before this election. This production was a true Brechtian all-hands-on-deck feat, where the show’s ensemble created the design from the ground up, highlighting and offering clarity for the text and its pertinent political message. So while I played O’Casey, the Prosecutor, and Shorty, all of us actors filled in throughout the show as ensemble, stagehands, and technicians.
Year
2024
Directed by
Kari Ely
The Last Days of Judas Iscariot
Stephen Adly Guirgis’ thought-provoking play following the trial of Judas Iscariot for his betrayal of Jesus was a hugely welcomed challenge. I played both Saint Peter (an easygoing frat boy) and Mary Magdalene (a Gloria Steinem emulator), which offered me a fascinating opportunity to study physical and vocal characterizations. With such beautifully crafted source material to work from, the show was eye-opening in countless ways.
Year
2024
Directed by
Adam Flores
Romeo and Juliet
Working on this classic gave me the opportunity to put the year of Shakespeare training we receive at the Sargent Conservatory to practice, and be immersed in the world of verse. I played Lady Montague and the Apothecary, which allowed me the full range of character exploration.
Year
2023
Directed by
Jef Awada
American Idiot
This high-energy musical was a BANG! to be starting my collegiate production experience with. American Idiot greatly strengthened my physical and vocal stamina with its demanding ensemble involvement, challenged me to go far with emotional and physical dynamics, and introduced me to the process of understudying for Extraordinary Girl.
Year
2022
Directed by
Lara Teeter
Staged Readings
A part of the directing majors’ curriculum at the Sargent Conservatory is to put together and direct staged readings in three hours before having a public performance. I have had the opportunity to appear in four:
Dog Sees God, directed by Jackson Rodriguez Castello, 2025
The Drowning Girls, directed by Zachary Stefaniak, 2024
The Revolutionists, directed by Amalia Perez Lam, 2024
Baby with the Bathwater, directed by Avery Harrison, 2023
